Excuse me, but, what the hell kind of country are we living in now? Have we become the USSR? Communism — where the state (aka YouTube) determines what you can or cannot say?
United States Constitution, Bill of Rights:
Amendment I Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.
Just learned that YouTube removed the interview of Drs. Dan Erickson & Artin Massihi that was included in my last post titled, “Must See: Dr Dan Erickson & Dr Artin Massihi – We’re Speaking Up – Full Video“! These guys are not subversives! They are medical doctors discussing DATA and YouTube deleted them? WTF! To everybody out there: Watch this video. Download it. Distribute it. Send it to the White House. Let the DOJ know what YouTube has done. As Edmund Burke said, “The only thing necessary for the triumph of evil is for good men to do nothing.
I thought I’d share with you that I successfully built a Guitar ¼ inch Adapter Cable for Roland GK 13-Pin connections! This is a cable that allows you to connect a guitar or other instrument with a ¼ inch output (bass, ukulele, etc.) to the Roland GR-55 guitar synthesizer. If you are on a gig using the Roland GR-55 the usefulness of this is that if you don’t have another amplifier and effects, you can access the Roland COSM effects and amp models within the GR-55 and use the same sound reinforcement system that the GR is connected to.
Below is a copy of my wiring diagram that was adapted from a similar diagram posted on Vguitarforums.com by “Elantric”. As the diagram indicates, the normal guitar (or other instrument) signal is transmitted to the GR-55 via pin 7 in the 13 pin plug. A voltage divider has been added to reduce the GR-55’s +7 vdc to +5 vdc to feed pin 8 which signals the GR-55 that a GK pickup’s volume control is set to 10. I tested it and, yes, it works!
Between the three “Kings”, Albert, BB and Freddie, it was Freddie who had the hardest driving, most intense sound.Much of his intensity came from the way he played:He picked with his fingers, using a plastic thumb pick along with a metal index-finger pick with a large amp cranked to the max.Although he was a good singer and had some big hits including vocals, especially, “Have You Ever Loved a Woman”, it was with his instrumentals that, I think, set him apart from the other Kings.His biggest instrumental, which most people have probably heard and recognize, is “Hideaway”.But there were many other instrumentals penned by Freddie including “The Stumble”, “Sen-Sa- Shun”, “San-Ho-Zay”, “Side Tracked”, and “In the Open”.
I will be talking about some of these tunes in more detail, especially, “Hideaway” and “San-Ho-Zay”.
According to his bio on the Rock & Roll Hall of Fame, in the early days Freddie played a gold-top Les Paul through a Gibson GA-40 amplifier.
But later, and through the rest of his career he was seen playing a variety of Gibson semi-hollow body guitars such as the ES-335 and ES-345 through huge Fender Quad Reverb amps.
Another point that jumped out at me is that Freddie was influenced by the biggest names in the Chicago blues scene like Howlin’ Wolf, per his Rock & Roll Hall of Fame bio, “Waters, guitarists Eddie Taylor, Jimmy Rogers, and Robert Lockwood Jr., and harmonica virtuoso Little Walter were also tutoring the brawny youngster on the secrets of the sounds and the streets of the South Side.”We all take the creativity provided by those who have gone before us, embrace it, and on the other side make it something uniquely our own.
Freddie King has become one of my most favorite electric blues artists!Before I did a deep dive into the blues I was aware of his name, that he existed, but that was about it.
But after I discovered his music I was hooked.And the more I learned about him as a person, the more I liked him.“The Texas Cannonball.”Man, could he groove.
About Freddie
Freddie was born in Gilmer, Texas in 1934 and his birth name was allegedly Frederick Christian, but I have also read that it was Fred King. Later when he began recording, at first he went by “Freddy King” and ultimately he changed to “Freddie”. In 1949 his family moved from Texas to Chicago where he began his rise in the Chicago blues scene sneaking into clubs when he was still a minor. He had a very unique guitar technique and sound.
Freddie played various Gibson guitars….a Les Paul and several semihollow body Gibsons with a thumbpick and a metal fingerpick on his index finger, which gave his guitar a very biting tone and from the videos I’ve seen he often played through a huge Fender amp, maybe a Fender Quad Reverb. I don’t know a lot about Freddie’s band members over the years other than Sonny Thompson who played piano and cowrote some of FK’s songs and Freddie’s brother, Benny Turner, played bass with Freddie for many years up until Freddie’s death and Benny is still alive and still playing music.
Freddie was a big man, standing about 6’5”.Unfortunately, he died way too soon at the young age of 42 on December 28, 1976 from complications from various ailments:heart attack, stomach ulcers and pancreatitis, probably brought on from poor nutrition and heavy touring.What a loss to the blues.
In 2012, Freddie was finally inducted into the Rock & Roll Hall of Fame by none other than ZZ Top.
I located the following from the website Find a Grave
He was born Freddie (spelled Freddy in the early days of his career) Christian in Gilmer, Texas, in 1934. Early on, he played in a Lightnin’ Hopkins acoustic style, having learned the rudiments of guitar playing and old time blues standards from his mother and uncle. He moved to Chicago in 1950, and fell in love with the blues being played in his new hometown and vowed to become part of the scene. Influenced by Robert Jr. Lockwood, Jimmy Rogers, and Eddie Taylor, he formed his first band “the Every Hour Blues Boys” and began working his way into the highly competitive club circuit. By the mid 1950’s, Freddie King had adopted the surname King (because of B.B.’s success, just as Albert King had done) and got his first shot at recording in 1957, when he cut “Country Boy” for the microscopically small El-Bee label. But the record flopped, and he wouldn’t record again for another three years. Later, in 1960, he signed with Federal Records in Cincinnati, releasing “You’ve Got To Love Her With A Feelin'” with pop chart success. Later in 1961, he released the instrumental “Hide Away” which was his biggest hit. Freddie King’s influences can be heard in playing styles of Eric Clapton, Lonnie Mack and Stevie Ray Vaughn, amongst many other blues artists.
I hope you are staying safe and healthy during these crazy times after a virus has turned the whole world upside down. You might even be feeling a little bit blue. I know I have felt that way more than once! Before this coronavirus unleashed itself on the world I was already getting blue……into blues music that is, so the timing of this world situation is ironic. Anyway, I’ve found blues music to both acknowledge pain and misfortune, but also bring hope and joy.
The blues has always fascinated, captivated and resonated with me. My friend Michael, when hearing me say that told me, “Well, yeah, it’s just good music.” That’s definitely true. It’s got groove, feeling and truth. And in spite of it being “blue” I think there is a happiness and sense of hope that is entwined with the blues.
I grew up in Fort Wayne, Indiana and spent a significant amount of time visiting relatives in Chicago, one of America’s blues powerhouse cities. Fort Wayne is also not far from Detroit, the home of much awesome R&B music put out by Motown. So I was steeped in this wonderful sonic brew by virtue of just being there.
I think the blues touches something in all of us, no matter our ethnic or economic background. Everyone goes through trials and tribulations, hope and disappointment of one form or another. And to me, the blues is one way of dealing with that and connecting it to something universal – music – as a way to work through it in a therapeutic way, even if you don’t realize it. Music is therapeutic. But besides all of that, it’s just plain fun.
And recently, because of my ongoing attraction to the blues, and a desire to learn more deeply about some of the primary blues artists, and needing to start somewhere since there are so many artists and styles I decided to begin with “the kings”….BB, Albert and Freddie. I’m also a big, big fan of Eric Clapton and Stevie Ray Vaughan and I knew that the kings were big influences on EC and SRV.
Having said all of that, stay tuned for more as I venture down this blue highway!
