Today I’m excited to publish the second release in my “Bluesy Bach” project, Bluesy Bach – Opus 2 (Ave Maria). This is based on the Bach/Gounod version of Ave Maria originally titled in French, Méditation sur le Premier Prélude de Piano de S. Bach. Gounod merged his melody for Ave Maria over Bach’s Prelude No. 1 in C major, BWV 846.
Gounod’s arrangement originally was composed for violin or cello with piano and harmonium. In my arrangement for Bluesy Bach of course I have drums, electric guitar playing the melody along with clavinet (thinking of you Stevie Wonder!), celesta and electric bass. I hope you like it and I hope the Blessed Mother will be pleased. You can grab a high quality (320 kbps mp3 or flac file) from my Music Store page, or if you are into streaming, just listen on Spotify when it appears on my artist page in a few days. You can also buy the song on Amazon.com.
The Latin and English translation of Ave Maria is shown below.
Áve María, grátia pléna,
Dóminus técum.
Benedícta tū in muliéribus,
et benedíctus frúctus véntris túi, Iésus.[10]
Sáncta María, Máter Déi,
óra pro nóbis peccatóribus,
nunc et in hóra mórtis nóstrae. Ámen.
Hail Mary, full of grace,
the Lord is with thee;
blessed art thou amongst women,
and blessed is the fruit of thy womb, Jesus.
Holy Mary, Mother of God,
pray for us sinners,
now and at the hour of our death. Amen.
It seemed too complex, massive and like a river or the jet stream, an endless spaghetti bowl stream of notes. But, yet in spite of that I somehow ended up working out my own arrangement of Bach music!
So now I’m off on a new adventure to blend 300 year old classical music, or more accurately, Baroque music, with the Blues. Some might say, “If Bach ain’t Baroque, don’t fix it.” But I said, what the heck…..To give it my own interpretation and flavor, being a fan of the blues and R&B in general, I set out to look at Bach through blue colored glasses. Or should I say, a blue ear piece.
My first venture into rearranging Bach to take on a blues groove is with his, “Jesu, Joy of Man’s Desiring”. Per Wikipedia, it “is the most common English title of a piece of music derived from the 10th and last movement of the cantata Herz und Mund und Tat und Leben, BWV 147 (“Heart and Mouth and Deed and Life”), composed by Johann Sebastian Bach in 1716 and 1723.
Bach scored this piece for choir, trumpet, violin, optionally oboe, viola, and basso continuo. My arrangement is scored for electric guitar, electric bass, fretless bass, double bass, piano, timpani/percussion and drums with the guitar playing the violin 1 melody and the double bass playing the choir lines.
Here it is: I titled it, “Bluesy Bach – Opus 1 (Jesu Joy of Man’s Desiring)“. I decided to tag it as “Opus 1” to leave the door open for some future bluesy Bach explorations. You can grab a high quality (320 kbps mp3 or flac file) from my Music Store page, or if you are into streaming, just listen on Spotify when it appears on my artist page in a few days. You can also buy the song on Amazon.com.
The common English lyrics are as follows:
Jesu, joy of man’s desiring,
Holy wisdom, love most bright;
Drawn by Thee, our souls aspiring
Soar to uncreated light.
Word of God, our flesh that fashioned,
With the fire of life impassioned,
Striving still to truth unknown,
Soaring, dying round Thy throne.
Through the way where hope is guiding,
Hark, what peaceful music rings;
Where the flock, in Thee confiding,
Drink of joy from deathless springs.
Theirs is beauty’s fairest pleasure;
Theirs is wisdom’s holiest treasure.
Thou dost ever lead Thine own
In the love of joys unknown.
Here is a little tune that I recorded today on my classical guitar to start your week off with. It is a waltz composed by Spanish guitarist, Dionisio Aguado y García from Opus 7. Don’t forget that you can subscribe to this as a podcast in iTunes. Just click on the iTunes link in the sidebar of my website.
My first venture into rearranging Bach to take on a blues groove is with his, “Jesu, Joy of Man’s Desiring”. Per Wikipedia, it “is the most common English title of a piece of music derived from the 10th and last movement of the cantata Herz und Mund und Tat und Leben, BWV 147 (“Heart and Mouth and Deed and Life”), composed by Johann Sebastian Bach in 1716 and 1723.
